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of my installations are structures and
passageways to walk through. They become
all-encompassing environments, engaging
the space physically and the viewer psychologically.
I build installations primarily from
urban detritus such as found lumber,
doors, window frames, household furniture
and sheet metals. In some circumstances,
I incorporate systems of neon, argon
and colored incandescent lighting, recorded
sounds and radio noise to enhance the
I develop concept drawings and Rhino 3D renderings for most installations. They visualize my intent for the particular work. They are often displayed with the installation.
PROPOSED INSTALLATION FOR THE MOBILE ART MUSEUM
Concept drawing and Rhino 3D renderings of a proposed 35' wall installation for the Rodning Gallery in the Mobile Art Museum, Mobile, AL. The installation is composed of repirposed lumber, and suspended memory objects throughout the interior. The lighting scheme will be neon and red LED lights. The exhibition opens December, 2018 and runs through 2019.
CONCEPT DRAWING: PROPOSED INSTALLATION, RODNING GALLERY, MOBILE ART MUSEUM, MOBILE, AL, 2018
Concept Rhino 3D renderings for a two-part installation at the Alexander Brest Museum and Gallery, Jacksonville University, Jacksonville, FL, 2018. The installation is designed to pass through a gallery wall.
CONCEPT RHINO 3D RENDERING: LIMINAL SHIP (OVERHEAD VIEW GALLERY B AND GALLERY C), PROPOSED INSTALLATION FOR THE ALEXANDER BREST MUSEUM AND GALLERY, JACKSONVILLE UNIVERSITY, JACKSONVILLE, FL, 2018
This installation is part of a group exhibition "Making Waves." The theme addresses pollution in the waterways around the Savannah, GA region. This outdoor work is comprised of a bare wood frame with a myriad of river detritus suspended throughout the ship frame interior. The exhibition is at the Ships of the Sea Maritime Museum, Savannah, GA, 2018.
away (outdoor installation), lumber, wire, river detritus, 23'l x 8'h x 6'w, ships of the sea maritime museum, savannah, ga, 2018
An outdoor installation comprised of repurposed lumber. Gestalt is 75' long and accessible inside through three openings. Constructed at the Ships of the Sea Maritime Museum, Savannah, GA, 2016-2017. The installation survived Hurricane Mathew without losing a stick of wood.
A two-part installation at the 621 Gallery in Tallahassee, FL, 2016. The installation, comprised of repurposed lumber, was designed to pass underneath a wall in the center of the gallery
CONCEPT DRAWINGS: UNDERWAY, PROPOSED INSTALLATION FOR THE 621 GALLERY, TALLAHASSEE, FL
UNDERWAY (PANORAMA VIEW),REPURPOSED LUMBER, EACH SECTION 17'L X 8'H X 8'W, 621 GALLERY, TALLAHASSEE, FL, 2016
The title is a contradiction. This installation is a continuation from "Memory Ship" at the Spartanburg Art Museum. The whole structure glows red from interior neon and LED lighting, and blue above from argon lights. Access to three hull side cutouts to interior spaces allows the viewer to witness aggregations of struggles, bathed in dense red light. Small cast ships are configured in enigmatic moments of contradictory associations.
RED INDIGO, LUMBER, FURNITURE, CAST GLASS, CAST PLASTIC, FOUND OBJECTS, LED, NEON AND ARGON LIGHTING, 9'H X 6'W X 20'L, INDIGO SKY COMMUNITY GALLERY, SAVANNAH, GA, 2015
The Memory Ship for the Spartanburg Art Museum is a culmination of discourses that my sculptures and installations have established. The ship installation is absurdly oriented in the space, piercing the interior gallery walls. It has an aged appearance with the amalgamation of found lumber. It imposes dramatically on the space. Viewers are allowed visual access to the interior through seven cutouts in the hull. The interior spaces set up fugitive episodes I call memories, composed of small cast ships and found objects.
CONCEPT DRAWING: MEMORY SHIP, PROPOSED INSTALLATION FOR THE SPARTANBURG ART MUSEUM, SPARTANBURG, SC
MEMORY SHIP (EXTERIOR VIEW), Lumber, FURNITURE, FOUND OBJECTS, CAST GLASS, CAST PLASTIC, LED LIGHTING, 10’H x 8’W x 50’L, SPARTANBURG ART MUSEUM. SPARTANBURG, SC, 2014
Spanish for "The Light," this installation was installed for ScuptFest at the Sculpture Studio and Carving Center. It is a ship bow rising from the ground, composed of found window frames. By day it has a striking effect. At night, a lighting system comes on that displays an etherial glow.
LA LUZ (Night), Lumber, Windows, Incandescent Lighting, 11’H x 8’W x 17’L, Carving Studio and Sculpture Center, West Rutland, VT, 2005
Old Norse meaning "Wind Eye," this two-part installation was built at Bridgewater State College (now university). The structure is made up of over 100 found window frames, composed as two ship bows pulling apart. The interior of one structure was lit red, the other blue.
VINDAUGA, Windows, Lumber, Incandescent Lighting, 48’L x 11’H x 8’W, Maxwell Library, Bridgewater State UNIVERSITY, Bridgewater, MA, 2005
This was a perfomed installation on the first anniversary of 9/11. I asked the Keene State College community to write rememberances and wishes about the tragic event on small note paper. These were scrolled up and placed in four cast paper ships. The ships were set on fire and floated on a campus pond. The thoughts were sent out to the world.
RELEASE: Cast Paper, Scrolled Messages, Fire, Tether, 4 Boats, EACH 38”L x 9”W x 8”H, Keene State College, Keene, NH, 2002
This installation was constructed at the University of Wyoming Art Museum. The school where Mathew Shepard attended, and the city where he was killed. The V-formed structure allowed one to walk the path of childhood to the place where the space becomes dark psychologically, the mental place where someone can commit a heinous act
REFLECTIVE (Exterior View), Lumber, Found Objects, Sheet Metal, Clothing, Incandescent Lighting, 40’L x 34’W x 16’H, University of Wyoming Art Museum, Laramie, WY, 2001
31 DEGREES NORTH OF EAST
This installation was constructed less than two months after the 9/11 terrorist attacks. It is comprised of a crashing stern and a rising bow. The title is the compass direction from Denton, TX to Manhattan, NY.
31 DEGREES NORTH OF EAST Lumber,
Found Objects, Sheet Metal,121’ Total Length, Texas Woman’s University, Denton, TX, 2001
CONFLUENCE Painted Lumber, Suspended Sculpture, 27’W x 35’L, Fort Collins Museum of Contemporary Arts, Fort Collins, CO, 2001
WOTAN (WITHERING), Lumber, Found Objects, Sheet Metal, Neon, Incandescent Lighting,26’L x 23’W x 11’H, Emmanuel Gallery, Denver, CO, 2000
This installation was constructed in response to the Columbine High School shooting in Littleton, CO.
WOTAN (RISE) Lumber, Fd. Objects, 35’L x 17’H x 12’W, Arapahoe Community College, Littleton, CO, 1999
This installation was constructed in response to a devastating flash flood that impacted Fort Collins, CO.
NAVIGARE: FLASH (Exterior View), Lumber, Found Objects, Sheet Metal, Neon, Incandescent Lighting, 50'L x 23'W x 10' 3"H, Fort Collins Museum of Contemporary Arts, Fort Collins, CO, 1999
SHIPS SHADOW, Painted Lumber, 25'L x 9'H x 6’ 6”'W, Philip J. Steele Gallery, Denver, CO, 1998
SHIPS WAKE, lumber, Mirrors, Neon Lighting, 50'L x 8'H x 12'W, Edge Art Gallery, Denver, CO, 1997
METAPHYESTHAI, Lumber, Found Objects, Sound, 55'L (total length) x 10'H x 20'W, Arvada Center for the Arts and Humanities, Arvada, CO, 1996